Lotz, The Television Will Be Revolutionized (New York: New York University Press, 2007)įor an account of these industrial transformations, and Amanda D. This process is experimental and the keywords may be updated as the learning algorithm improves.ĭavid Foster Wallace, Brief Interviews with Hideous Men (New York: Little, Brown and Company, 2007). These keywords were added by machine and not by the authors.

The rise of serial television’s anti-heroes raises a key question: why would we want to subject ourselves to lengthy interactions with such hideous men? 3 Keywords 2 One common trait shared by many contemporary serialised primetime programmes is the prominence of unsympathetic, morally questionable or villainous men at their narrative centre, a trend typically identified by the character type of the anti-hero. But as I argue elsewhere, serial television is distinguished by the long timeframes it creates, and thus any interaction with hideous men found in an ongoing series’ regular cast will last quite awhile. 1 Most fictional television abides by this implication, where distasteful and unpleasant characters are treated briefly, whether as unsympathetic figures on an anthology programme like The Twilight Zone (CBS, 1959–1964) or single-episode villains emerging in the course of a procedural’s police investigation or medical case. In his collection of short stories Brief Interviews with Hideous Men, David Foster Wallace creates a resonant implication between the two adjectives in his title - if we’re going to spend time in the company of hideous men, it best be brief.

Conversations with hideous men